LoosenArt is an online gallery and platform dedicated to contemporary visual arts, born and based on principles of contemporaneity, the very same principles in which contact, connection and exchange are prerogatives of a cultural evolution supported by a technology that is the expression of an interest to find new channels to relate freely and more directly to the others, an interest to demonstrate an innate need of human contact, where meetings are always something which give rise to something else.
The LoosenArt project provides a space where art finds further support of its role, of its deeper meaning, of it being a channel through which man relates with others, with the world and reality. Being in contact with all of this, means being linked, feeling and grasping what is originated from all reality, so it also means feeling what today we perceive as an emergency, that need to answer and to measure. Due to this reason LoosenArt supports some organizations engaged in the field of environmental protection.
The LoosenArt Gallery Artwork offers are not covered by commercial logic widespread in the contemporary art system, where the value of the same artwork reflects the costs to possess it. Our offers are the expression of an interest to reach a common goal, that both the gallery and its artists share. A value, which even more importantly, can be traced in the recognition of a principle rooted in the natural urge to communicate and participate, in response to that innate need for meeting others.
Website link: https://www.loosenart.com/pages/calls
Calls
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![]() The call “Echoes of Yesterday” will collect photographic, digital and video works capable of involving the visitor in a wide spectrum of emotions, stimulating interest and curiosity.Deadline December 3, 2024 │SUBMIT HERE |
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![]() One of the major changes that occurred during the early years of the twentieth century in the field of aesthetic phenomenology is, as a matter of fact, determined by the introduction of these new means of detection of reality, means that consent us to adopt a new way of grasping from reality the elements that we believe useful in the creation of a discourse. Grasping and analyzing also means to extrapolate from a context the objects that interest us, found objects that become compositional elements in a new expression of the self. Not only objects, but also places can reveal something that we consider significant for history and science, for our collective memory and our individual memory. The call is open to photographic, video and visual digital works, that present themselves as the result of an expression of research, discovery, valorization, analysis or critique, revealing what we seize from human and natural environmental contexts.Deadline January 20, 2025 │SUBMIT HERE |
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![]() This call’s aim is to collect works that describe places of a narration or an event, works that tell moments of life that are lived in first or third person and that, in the explicit visual exposition, emphasize the drama, the absurdity, the comedy, the aspects of interpersonal and environmental relations that express meanings that affect us emotionally.Deadline February 23, 2025 │SUBMIT HERE |
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A SCIENTIFIC APPROACH: Visual Documents and Creative Investigation Methods Call for Exhibition – Accepted media: Photography, Digital Visual Design, VideoGroup Exhibition in Rome city, Italy. June 2025FREE ENTRY Photographers, visual designers and video artists are invited to submit 1 up to 3 works addressing the theme.For centuries now, the close relationship between art and science has offered new prospects in exploring and understanding reality through a dialogue that combines the observation, analysis, reflection and expression of human experiences, a dialogue that promotes new creative and experimental approaches to the investigative processes. In the era of technical reproducibility, the use of photographic or video media and new technologies has become a fundamental practice in the development of artistic practices: starting from the Dadaist experiences, throughout the pop art period all the way to the contemporary artistic phenomenology, we have important testimony that confirm an increasingly closer link between art, technology and science. An important shift in the field of research has occurred with the advent of photography, as with it the approach to scientific , historical, geographical and anthropological documentation has changed, elaborate systematic methods of cataloging have been developed, and these contribute to the creation of new visual and informative aesthetics by which contemporary artists are influenced. This call will bring together works that express an interest in observation, documentation, data collection and representation, and expression of aesthetic harmony that stimulates curiosity for science.Deadline March 26, 2025 │SUBMIT HERE |
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![]() Since the origins of rites among primitive and tribal peoples we have visual testimonies of their executions, and images sometimes become indispensable means to symbolize deities, spirits and other supernatural entities to make the forces they evoke concrete. For centuries art has been strongly linked to ritual practices, and even today, through the documentary function of new media, we have evidence of performance and artistic practices related to them. The call is open to works related to ritual practices that testify to its wider functions, from sacred to social ones, and from the intimistic and family-biographical to psychological and introspective ones.Deadline April 29, 2025 │SUBMIT HERE |
![]() What is the North, and how can it be represented or perceived through images and visual arts?Deadline June 1, 2025 │SUBMIT HERE |
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![]() In the exhibition “Resonance of Self” photography, video and digital art will make this idea theirs, elaborating new visions that are able to propagate on the visual field information about our being and our standing in the world.Deadline July 4, 2025 │SUBMIT HERE |
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