#digital-afterlife #digital-immortality #memory-in-digital-age #digital-footprints
The digital age is fundamentally reshaping our perceptions of death, memory, and immortality. What new forms of commemoration and remembrance emerge through digital archives? What ethical challenges does the notion of digital immortality pose? Can the digital preservation of emotional experiences maintain or distort the authenticity of memories? Additionally, reflections should consider the traces our digital lives leave behind and how they might be interpreted in the future. The ecological sustainability of digital artworks is also a critical concern.
#future-archaeology #digital-civilization #digital-artifacts #data-remnants
How will future archaeologists reconstruct our present-day digital civilization? What role do digital artifacts play in shaping history and identity? How can we address the transience of digital cultures? What ethical questions arise in dealing with data remnants? Who owns the digital traces of the past, and what responsibility do we have toward future generations in preserving this information?
#waldeinsamkeit #newidyll #simple-living #isolation #disconnected #non-digital-leisure #AIdetox
Our era is defined by contrasts. While digital technologies increasingly permeate our lives, the desire for deceleration, simplicity, and disconnection is growing. How can digital art depict or even reinforce the longing for solitude in nature and new idyllic spaces? Can a simple lifestyle be promoted in a networked world? Is the conscious renunciation of digital media a new form of luxury? What artistic approaches can help raise awareness of the necessity of taking breaks from artificial intelligence?
The increasing fusion of society and artificial intelligence raises fundamental questions: How do algorithms influence democratic decision-making processes and power structures? What new forms of coexistence emerge in a society governed by AI? Will singularity mark the end or a new beginning for humanity? What forms of resistance are necessary to preserve human autonomy against an overpowering AI?
→ Preparation, presentation and discussion of the concept
→ Early-stage materialisation on site as part of FMR 26 – Prologue (6 June, 2025)
→ Residency duration: Up to one week between June 2 and June 8, 2025 (in exceptional cases, an online residency may be considered)
→ Artist grant: 450 Euros
→ Production of the work
→ Final materialisation on site as part of FMR 26 Festival (3 – 7 June, 2026)
→ Residency duration: Up to one month in February or March 2026
→ Artist grant: 900 Euros
→ Application deadline: April 10, 2025, 24:00 CET
→ Jury decision: Mid-April 2025
→ Production budget: Up to 1.500 Euros for both residencies (reimbursement based on receipts/invoices)
→ Travel expenses: Up to 450 Euros per residency (reimbursement based on receipts/invoices)
→ Free use of a studio and accommodation at Atelierhaus Salzamt during each residency
→ Free access to host facilities and various workshops at the Art University Linz
→ Curatorial support during the residency
→ Professional presentation, exhibition and artist talk during both the FMR 26 – Prologue in June 2025 and the FMR 26 Festival in June 2026
→ Demonstrate an openness to collaboration wit h the festival team.
→ Be available during the residencies for FMR 26 – Prologue (online residency may be considered in exceptional cases) and FMR 26 Festival (on-site residency required).
→ For more complex works: Be present during the final days leading up to the FMR 26 Festival to assist in setting up the work.
→ Speak English fluently and be willing to interact with the local art community and festival team.
→ Short biography (max. 1,500 characters)
→ Statement of motivation for the residency (max. 1,500 characters)
→ Availability for residencies and festival participation
→ Project details (title, keywords, description, technical and spatial requirements …)
→ Technical and spatial requirements
→ Detailed project proposal outlining the idea, its connection to the themes, and the plan for realization (when designing the proposed work, please keep in mind that the majority of the festival takes place in public space – your submission must clearly demonstrate that the work can be realized outdoors)
→ Portfolio including biography, selected projects, and recent exhibitions